Page: 
Source: 
p. 1, b. 1-16
p. 1, b. 1-16
p. 2, b. 17-31
p. 3, b. 32-46
p. 4, b. 47-61
p. 5, b. 62-77
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 1

Crotchet in A

Quaver in FE (→GE,EE)

A crotchet as the rhythmic value of the upbeat in A could have been related to the original accentuation of bars 1-4, determining the crotchet beat. Moreover, it cannot be excluded that Chopin had in mind a dotted crotchet – cf. minims in the L.H. in bars 1-3 and 5-6, as well as crotchets in bars 4 and 7). In each case a quaver flag in FE (→GE,EE) was probably added by Chopin, therefore we adopt the version with the quaver to the main text (in FE an uncorrected crotchet rest was left in the L.H., which was corrected in GE and EE).

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in FE, Errors resulting from corrections, Authentic corrections of FE

notation: Rhythm

Missing markers on sources: EE4, EE3, A, FE1, FE2, FED, FEJ, FES, GE1, GE2, GE3, GE4