Page: 
Source: 
p. 1, b. 1-16
p. 1, b. 1-16
p. 2, b. 17-31
p. 3, b. 32-46
p. 4, b. 47-61
p. 5, b. 62-77
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 4

Two accents in A (→FE, literal reading)

One accent in GE (contextual interpretation of FE)

One accent in EE

It is not entirely clear whether FE has two accents in the 2nd half of the bar, as it is in A, or one, as it is in GE or EE. According to us, in the preceding fragment Chopin clearly expressed his intention of leaving only the accents on the 4th and 10th quavers in bars 1-4 and this is the version, clearly reproduced in GE, that we give in the main text. However, the accent in an analogous place of the 2nd eight-bar section (bar 12) may be considered as an argument for two accents in the discussed place in bar 4. The version of EE is probably a result of revision based on the comparison with bar 12.

See b. 1-4

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in FE, Authentic corrections of FE

notation: Articulation, Accents, Hairpins

Missing markers on sources: EE4, EE3, A, FE1, FE2, FED, FEJ, FES, GE1, GE2, GE3, GE4