mUltimate Chopin

Op. 10 No 10, Etude in A♭ major

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Page: 
Source: 
p. 1, b. 1-16
p. 1, b. 1-16
p. 2, b. 17-31
p. 3, b. 32-46
p. 4, b. 47-61
p. 5, b. 62-77
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 5-8

In the 2nd four-bar section Chopin wrote the accidentals less carefully. In A (→FE) there are no naturals before b2 in bar 5 and d3 in bars 7-8. These patent oversights were corrected in GE and EE (in EE3 the  in bar 7 was not completed).

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, Accidentals in different octaves, GE revisions, Errors of A

notation: Pitch

Missing markers on sources: EE4, EE3, A, FE1, FE2, FED, FEJ, FES, GE1, GE2, GE3, GE4
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