Issues : Errors in GE
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b. 1-4
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composition: Op. 10 No 10, Etude in A♭ major
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In the main text we give the fingering of A concerning the 2nd, 3rd and 4th quavers in bar 1 (it was also reproduced in FE and EE) and the fingering numeral over the 9th quaver, added in a proofreading of FE (→GE,EE). The authenticity of these indications is beyond any doubt, contrary to the limited, yet resulting in the same effect notation of GE and the notation of EE, completed by Fontana. See also the previous note. category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors in GE , Authentic corrections of FE |
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b. 8
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composition: Op. 10 No 10, Etude in A♭ major
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The version of FE1 is a result of the engraver's mistake in determining the range of the octave sign, which ends one quaver too early in this edition. Both in FE2 and in EE the error was corrected. In GE this sixth, also written with an octave sign, is actually on the correct pitch, yet the octave sign erroneously includes also the next quaver. category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors in GE , Authentic corrections of FE |
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b. 68
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composition: Op. 10 No 10, Etude in A♭ major
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A does not have any accidentals in this bar – see the adjacent note. In a proofreading of FE (→EE,GE1→GE2) cautionary flats before a category imprint: Differences between sources; Editorial revisions issues: Errors in GE , GE revisions |
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b. 73
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composition: Op. 10 No 10, Etude in A♭ major
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In FE (→EE) the indication dim. was placed under the part of the L.H., while in GE it was not included at all. category imprint: Differences between sources issues: Inaccuracies in FE , Errors in GE |
3 & d2 in 
was added before f3 on the 2nd quaver in the R.H., yet also a 
