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Issues : Accidentals in different octaves
b. 5-8
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composition: Op. 10 No 10, Etude in A♭ major
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In the 2nd four-bar section Chopin wrote the accidentals less carefully. In A (→FE) there are no naturals before b2 in bar 5 and d3 in bars 7-8. These patent oversights were corrected in GE and EE (in EE3 the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Errors of A |
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b. 7-8
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composition: Op. 10 No 10, Etude in A♭ major
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The natural raising a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Omissions to cancel alteration , Authentic corrections of FE , Inaccuracies in A |
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b. 13
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composition: Op. 10 No 10, Etude in A♭ major
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The lack of naturals before the sixth on the 6. quaver is an undoubted oversight by Chopin in A (→FE). The category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions |
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b. 37-38
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composition: Op. 10 No 10, Etude in A♭ major
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The notation of accidentals in these bars is very careless in A, although it does not lead to textual doubts. In bar 37 Chopin omitted the flats before the 1st (g category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of A , Authentic corrections of FE |
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b. 40
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composition: Op. 10 No 10, Etude in A♭ major
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In A (→FE) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of A |