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Issues : Inaccuracies in FE
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b. 51-52
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composition: Op. 10 No 10, Etude in A♭ major
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It is uncertain whether the omission of e dim. in FE (→GE,EE) was intended by Chopin. Due to the fact that it suits the previous indications of both A and FE, in the main text we give it in brackets, leaving its consideration to the performer's judgment. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 67
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composition: Op. 10 No 10, Etude in A♭ major
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This bar was omitted at the time of adding pedalling indications in a proofreading of FE (→GE,EE). According to us, it is either a mistake of Chopin or the engraver of FE. The pedalling was completed in EE. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE |
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b. 73
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composition: Op. 10 No 10, Etude in A♭ major
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In FE (→EE) the indication dim. was placed under the part of the L.H., while in GE it was not included at all. category imprint: Differences between sources issues: Inaccuracies in FE , Errors in GE |
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b. 76-77
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composition: Op. 10 No 10, Etude in A♭ major
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The main text includes the most natural version of A in terms of sound and pianistics. However, the exceptionally thick, spreading traces of the quill's strokes hinder the reading of A in this place, so the version of FE (→EE) differs significantly from the text of A. One's attention is drawn to the absence of stems extending some of the sounds (which can be however easily explained with an oversight) and the ambiguity related to it, as far as the meaning of the tie combining the last a category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Inaccuracies in FE , Authentic corrections of FE , Uncertain notes on ledger lines |
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b. 76
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composition: Op. 10 No 10, Etude in A♭ major
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The crotchet stem, visible in A, extending the c1-e category imprint: Differences between sources issues: Inaccuracies in FE |
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