Issues : EE revisions

b. 8

composition: Op. 10 No 10, Etude in A♭ major

e2 in A (→FE) (literal reading)

e2 in GE & EE

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A lacking  before the penultimate quaver is most probably a mistake by Chopin. The accidental was added by the revisers in both GE and EE.

category imprint: Differences between sources

issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors of A

b. 9

composition: Op. 10 No 10, Etude in A♭ major

No fingering in A (→FEGE)

Fingering in EE

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The fingering, added by Fontana in EE, repeats in both hands the schemes given by Chopin in bar 1.

category imprint: Differences between sources

issues: EE revisions

b. 13

composition: Op. 10 No 10, Etude in A♭ major

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The lack of naturals before the sixth on the 6. quaver is an undoubted oversight by Chopin in A (→FE). The  before the upper note was complemented in both GE and EE, however the one sharpening d2 to d2 was only added in GE2 (→GE3GE4). The lack of the latter accidental also infuences the pitch of the penultimate quaver of the bar. This inaccuracy was noticed during the proofreading of FE (→GE,EE) where a  was added before that quaver.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions

b. 16

composition: Op. 10 No 10, Etude in A♭ major

No sign in A (→FE)

 in GE & EE

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In this context, the missing  mark is undoubtedly a result of Chopin's inattention, who added pedalling in a proofreading of FE, or – which is more plausible – of the engraver implementing this proofreading. The mark was added both in GE and EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Inaccuracies in FE , GE revisions , No pedal release mark

b. 18

composition: Op. 10 No 10, Etude in A♭ major

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We add a cautionary  before a1. The sign was already added in GE2 (→GE3GE4) and EE4.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions