Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 10, Etude in A♭ major
In bar 54 Fontana carefully fingered the entire passage of the L.H., in a way which was probably in Chopin's mind (which results from the natural position of the hand). In turn, in bar 55 he gave fingering of the figuration which differs from the one from bars 1-2 only in the bass notes, which does not have any influence on the fingering. See also the note on the R.H.
Compare the passage in the sources »
category imprint: Differences between sources
issues: EE revisions
notation: Fingering
