mUltimate Chopin

Op. 24 No. 1, Mazurka in G minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 2, b. 33-64
p. 1, b. 1-32
p. 2, b. 33-64
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Ornaments
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Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
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  b. 58-59

 in A (→GE1→FE→EE)

 in GE2 (→GE3)

In the main text, we give a single  mark. In Chopin's times, dividing the dynamic hairpins at line break was not yet in systematic use - both Chopin and his editors sometimes reverted to the old notation in which two consecutive  (or ) marks at line break could mean one longer dynamic change.

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category imprint: Interpretations within context; Differences between sources

issues: GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: GE1, A, GE2, GE3, FE1, FED, FES, EE1, EE3
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