mUltimate Chopin

Op. 24 No. 1, Mazurka in G minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 2, b. 33-64
p. 1, b. 1-32
p. 2, b. 33-64
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
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No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
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  b. 49-50

No pedalling in A (→GE)

Pedalling added in FE (→EE)

The editors' suggestion

The pedalling added in FE (→EE) probably results from Chopin's correction. As for the placement of  marks, it stays in line with the pedalling of other analogous bars in those editions. In our opinion, compliance with the pedalling of the entire Mazurka is more important when it comes to the interpretation of that correction than the very fact of  placing the marks under the 3rd crotchet. Therefore in our main text we suggest the pedalling that complies with the marks taken from A.

See b. 33-63

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: Authentic corrections of FE

notation: Pedalling

Missing markers on sources: GE1, A, GE2, GE3, FE1, FED, FES, EE1, EE3
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