Page: 
Source: 
p. 2, b. 33-64
p. 1, b. 1-32
p. 2, b. 33-64
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
Verbal indications
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
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  b. 59

Crotchets in A (→GEFE)

Crotchets in EE (without the second slur)

Quavers entered in FES

Quavers and a slur in FED

In the main text we give the version written into FES and FED. The remaining sources have the version as in bar 3 and analogous bars. That type of adding variety to the melodic line is very characteristic of Chopin. He introduced similar changes, also as later corrections, in Mazurka in C major no. 2, bars 102-103, and also in other works.

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category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies, Annotations in FED, Annotations in FES, Authentic post-publication changes and variants, Main-line changes

notation: Pitch