mUltimate Chopin

Op. 24 No. 1, Mazurka in G minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 1, b. 1-32
p. 1, b. 1-32
p. 2, b. 33-64
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
Importance
All
Important
Main
Undo Clear
Prezentacja
Select 
copy link PDF Main text

  b. 25-26

The slur in A – approximate literal reading

The slur in GE1 (→FE→EE)

The slur of  GE2 (→GE3)

The exact starting point of the slur in A is unclear. In GE (→FE→EE) it was drawn from the 1st crotchet. The comparison with analogous bars 17, 21 and 29 and the general analysis of the manner of writing slurs in A leads to the conclusion that Chopin almost certainly wanted to embrace only the chords with the slur. The point where the slur ended on the 2nd crotchet of bar 26 seems less controversial, yet even that detail was reproduced inaccurately in GE1 (→FE→EE).

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccurate slurs in A, GE revisions

notation: Slurs