Issues : Inaccuracies in GE
|
b. 49-50
|
composition: Op. 24 No. 1, Mazurka in G minor
category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A , GE revisions |
|||||||||
|
b. 50
|
composition: Op. 24 No. 1, Mazurka in G minor
..
The long accent in A is – unlike in analogous bars – quite clear here. Making it resemble the accents appearing in similar phrases is not appropriate in this case because of differences in texture and the resulting sound shape of the return of the Mazurka's main theme. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
|||||||||
|
b. 51
|
composition: Op. 24 No. 1, Mazurka in G minor
category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
|||||||||
|
b. 52-53
|
composition: Op. 24 No. 1, Mazurka in G minor
..
The slurs linking b1 with a1 in bars 52-53 and 60-61 have in A the form of a short slur reaching the quaver a1 (see the note for bars 4-13). In bars 52-53, the slur notation is additionally unclear in A as the slur is only present in bar 53 (new page). This must have confused the engraver of GE1 (→FE→EE), who evidently misinterpreted Chopin's slur. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE |
|||||||||
|
b. 53-61
|
composition: Op. 24 No. 1, Mazurka in G minor
..
Just like everywhere else in this Mazurka, in GE (→FE→EE) Chopin's wedges were changed into dots. Cf. the note to bar 1. category imprint: Differences between sources issues: Inaccuracies in GE |
