mUltimate Chopin

Op. 24 No. 1, Mazurka in G minor

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Articulation, Accents, Hairpins
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Articulation, Accents, Hairpins
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Articulation, Accents, Hairpins

b. 38-46

composition: Op. 24 No. 1, Mazurka in G minor

Wedges in  A

Dots in GE (→FE→EE)
..

The staccato wedges written very carefully in bars in 38 and 46 in A were reproduced as dots in  GE (→FE→EE). Cf. the note to bar 1.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 38

composition: Op. 24 No. 1, Mazurka in G minor

 in A

 in GE (→FE)

A sign in EE
..

The hairpins   in A are visibly longer than those in GE (→FE→EE). Their exact extent is different in each edition. The shortest sign - that in EE – practically resembles an inverted accent.

category imprint: Differences between sources

issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies

b. 39

composition: Op. 24 No. 1, Mazurka in G minor

 in A

 in GE (→FE)

 in EE
..

We determine the extent of the  on the basis of A. In the editions, the hairpins become shorter and shorter, eventually to resemble a long accent in EE.

category imprint: Differences between sources

issues: Inaccuracies in GE , EE inaccuracies

b. 40

composition: Op. 24 No. 1, Mazurka in G minor

No accent in A (→GE1→FE→EE)

A long accent in GE2 (→GE3)
..

In GE2 (→GE3) a long accent was arbitrarily added at the beginning of the bar.

category imprint: Differences between sources

issues: GE revisions

b. 45

composition: Op. 24 No. 1, Mazurka in G minor

 in A

 in GE (→FE→EE)
..

In A, the hairpins lead to the next bar. In GE (→FE→EE) they only reach the 3rd crotchet of the bar. 

category imprint: Differences between sources

issues: Inaccuracies in GE