Articulation, Accents, Hairpins
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b. 31
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composition: Op. 24 No. 1, Mazurka in G minor
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The long accent of A, not very big but having a characteristic shape, was reproduced as a short one in GE (→FE→EE). category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 33-44
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composition: Op. 24 No. 1, Mazurka in G minor
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In the main text, we give the unequivocal notation of A – 8 long accents in bars 33-36 and 41-44. In GE1 (→FE→EE) the accent in bar 42 was omitted, which was corrected in GE2 (→GE3). In the two last-mentioned editions and also in FE some accents were reproduced as short ones, and EE has short accents only. All those changes result from difficulties in interpreting accent signs of varying length. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies |
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b. 34
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composition: Op. 24 No. 1, Mazurka in G minor
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In EE, the accent on the 2nd beat of the bar was omitted, probably inadvertently. category imprint: Differences between sources issues: EE inaccuracies |
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b. 36-44
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composition: Op. 24 No. 1, Mazurka in G minor
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The staccato signs visible in A in bars 36 and 44 should be considered wedges, although they are not so clear as in bars 38 and 46. In GE (→FE→EE) they were reproduced as dots. Cf. the remark to bar 1. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE |
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b. 37
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composition: Op. 24 No. 1, Mazurka in G minor category imprint: Differences between sources issues: Inaccuracies in GE |
in 