Issues : Inaccuracies in GE
b. 33-63
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composition: Op. 24 No. 1, Mazurka in G minor
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In bars 33-35, 40-43, 54, 57, 61 and 63 in A, the pedal release asterisks are always placed at the end of the bar after the 3rd crotchet of the L.H. In GE (→FE→EE) all those asterisks were printed under the 3rd crotchet. Cf. bars. 1-32. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 33-34
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composition: Op. 24 No. 1, Mazurka in G minor
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The phrase mark in A, just like two further ones in analogous situations, embraces the motif that consists of two thirds a flat1-c2. The meaning of that curved line in GE1 (→FE) is no longer clear, as it could just as well be interpreted as a tie sustaining as1. This is at least how the reviewer of GE2 understood it, which is evidenced by the change made in bars 34-35. In the discussed place in GE2 the slur was omitted, probably with the intention to move the slur of GE1 up in order to turn it more clearly into a tie (it reappeared in GE3). The engraver of EE read the line to be a tie sustaining a flat1 and engraved it in a manner that left no room for doubt. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 34-35
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composition: Op. 24 No. 1, Mazurka in G minor
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The curved lines under the thirds a flat1-c2 in bars 34-35 and 43-44 are phrase marks in A, not ties for a flat1. This is less obvious in the notation of GE1, and even less so in FE and GE2 (→GE3). The notation of EE clearly suggests ties. category imprint: Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
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b. 36-44
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composition: Op. 24 No. 1, Mazurka in G minor
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The staccato signs visible in A in bars 36 and 44 should be considered wedges, although they are not so clear as in bars 38 and 46. In GE (→FE→EE) they were reproduced as dots. Cf. the remark to bar 1. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE |
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b. 36-44
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composition: Op. 24 No. 1, Mazurka in G minor
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In bars 36 and 44 in A, the asterisk is written between the 2nd and the 3rd crotchet. In GE1 (→FE→EE) it was moved and placed under the nearest chord: on the 3rd beat in bar 36 and on the 2nd beat in bar 44. In GE2 (→GE3) the pedalling was made uniform, and the moved under the 3rd crotchet. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |