Issues : Inaccuracies in GE
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b. 11
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composition: Op. 24 No. 1, Mazurka in G minor
category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 17-29
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composition: Op. 24 No. 1, Mazurka in G minor
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The wedges in A are very clear, particularly in bars 17 and 25, yet in GE (→FE→EE) there are only dots (cf. bar 1.). In bar 17 in GE1 the sign was omitted, which Chopin corrected when proofing FE (→EE). In the editors' opinion, that correction should be understood as supplementing the staccato sign in bar 17, in line with bars 21, 25 and 29, rather than replacing a wedge with a dot in bar 17. category imprint: Differences between sources; Corrections & alterations |
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b. 17-29
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composition: Op. 24 No. 1, Mazurka in G minor
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In A, Chopin marked staccato for the F notes in bars 17, 21, 25 and 29. In GE1 (→FE→EE), the dots were omitted in bars 17 and 25, and in EE also in bar 29. The reviewer of GE2 (→GE3) supplemented the missing dots, possibly on the basis of A. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions , EE inaccuracies |
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b. 19-27
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composition: Op. 24 No. 1, Mazurka in G minor
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Both bass notes F in bars 19 and 27 have staccato dots in A. The notation of this detail was distorted in the first editions: a dot from bar 19 was omitted in GE1 (→FE→EE), and dots from bar 27 disappeared in FE (→EE). Cf. bars 17-29. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |
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b. 19-27
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composition: Op. 24 No. 1, Mazurka in G minor
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Accents under e2 in bars 19 and 27 of A may definitely be recognized as long ones. In GE (→FE→EE) they were reproduced as ordinary short accents. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
