b. 4-5
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composition: Op. 24 No. 1, Mazurka in G minor
category imprint: Differences between sources |
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b. 4-13
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composition: Op. 24 No. 1, Mazurka in G minor
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In A, the slurs linking b1 with a1 in bars 4-5 and 12-13 have the form of a short slur reaching the quaver a1: . One's attention is drawn to the shape of those slurs, typical for Chopin's ties.
category imprint: Interpretations within context; Source & stylistic information issues: Inaccurate slurs in A |
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b. 5-9
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composition: Op. 24 No. 1, Mazurka in G minor
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Missing in bars 5 and 9 in EE are the staccato dots under D. This is probably the engraver's fault. category imprint: Differences between sources issues: EE inaccuracies |
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b. 6-14
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composition: Op. 24 No. 1, Mazurka in G minor
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We add staccato dots under bass notes in bars 6 and 14. Despite that and several other omissions in that respect, Chopin's intention to apply that articulation for all bass notes in analogous texture is beyond doubt. category imprint: Editorial revisions |
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b. 6-7
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composition: Op. 24 No. 1, Mazurka in G minor
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In A, the slur begun in bar 6 (the last in the line of text) has no continuation, which makes it impossible to figure out Chopin's exact intention for slurring of that phrase. The solution adopted in GE (→FE→EE) seems the most appropriate one (cf. analogous bars 54-55). category imprint: Graphic ambiguousness |