mUltimate Chopin

Op. 10 No 9, Etude in F minor

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Page: 
Source: 
p. 2, b. 17-32
p. 1, b. 1-16
p. 2, b. 17-32
p. 3, b. 33-50
p. 4, b. 51-67
Main text
Main text
AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Rhythm
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Verbal indications
Pedalling
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AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 17

Quavers in AI

Dotted rhythm in A (→FE→GE,EE)

The rhythm of AI is undoubtedly the original version of this motif, most probably changed at the time of writing A. It is indicated by gaps between the notes of this motif, corresponding to equal quavers.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Dotted or even rhythm

notation: Rhythm

Missing markers on sources: FE1, A, AI, FE2, FED, FEJ, FES, GE1, GE2, GE3, GE4, EE3, EE4
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