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Source: 
p. 3, b. 33-50
p. 1, b. 1-16
p. 2, b. 17-32
p. 3, b. 33-50
p. 4, b. 51-67
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AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 37-48

No fingering in AI & A

Fingering in FE (→GE)

EE

In bars 37, 45 and 48 Chopin added '4' digits in a proofreading of FE (→GE), resembling the basic fingering scheme of the Etude. In EE Chopin's hints were completed in bars 37-45, adding 18 fours under notes.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Authentic corrections of FE

notation: Fingering

Missing markers on sources: FE1, A, AI, FE2, FED, FEJ, FES, GE1, GE2, GE3, GE4, EE3, EE4