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Source: 
p. 2, b. 17-32
p. 1, b. 1-16
p. 2, b. 17-32
p. 3, b. 33-50
p. 4, b. 51-67
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AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 31-32

In both bars AI features aas the 5th semiquaver (the note is written only in bar 31, as bar 32 is briefly marked as repetition of the previous one). This pianistically and sonically awkward version is certainly a mistake, which is revealed by the compatible version of the remaining sources, as well as the comparison with analogous bars 35-36.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Terzverschreibung error, Errors in the number of ledger lines

notation: Pitch

Missing markers on sources: FE1, A, AI, FE2, FED, FEJ, FES, GE1, GE2, GE3, GE4, EE3, EE4