Issues : Accidentals in different octaves
b. 21-23
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composition: Op. 10 No 9, Etude in F minor
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The sources are missing some of the flats before g notes (in various octaves). None of these inaccuracies raise any doubt concerning the sound intended by Chopin. In AI there are no before g, as well as before G and g1 in bar 23. In A both flats in the L.H. in the 2nd half of bar 22 are missing; only the first of them was added in FE. The remaining sources have the correct text. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals , Authentic corrections of FE , Inaccuracies in A |
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b. 25-27
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composition: Op. 10 No 9, Etude in F minor
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In AI Chopin would generally write accidentals only next to the upper notes of the octaves. The only sign before a bottom note is the lowering g2 to g2 in bar 27. The notation of A is already much more precise – only the lowering g1 to g1 in bar 25 is missing. FE (→GE,EE) have the correct text. category imprint: Differences between sources issues: Accidentals in different octaves , Errors of A , Authentic corrections of FE |
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b. 50
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composition: Op. 10 No 9, Etude in F minor
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In A (→FE→EE3) there is no before the 9th semiquaver of the bar (g1). This patent inaccuracy was corrected in GE and EE4. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions |
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b. 52
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composition: Op. 10 No 9, Etude in F minor
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Lack of the raising d1 to d1 is a patent inaccuracy of the notation of A (→FE→EE3). The sign was added in GE and EE4. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions |