mUltimate Chopin

Op. 10 No 9, Etude in F minor

Text Compare Notes Sources Description

Issues : EE revisions

b. 36

composition: Op. 10 No 9, Etude in F minor

No  sign in AI & A (→FE→GE1)

 in EE & GE2 (→GE3→GE4)
..

In the pedalling of bars 29-36, added in a proofreading of FE, the last  mark in bar 36 was omitted, which is almost certainly a mistake. The error was repeated only in GE1.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , No pedal release mark

b. 37-48

composition: Op. 10 No 9, Etude in F minor

No fingering in AI & A

Fingering in FE (→GE)

EE
..

In bars 37, 45 and 48 Chopin added '4' digits in a proofreading of FE (→GE), resembling the basic fingering scheme of the Etude. In EE Chopin's hints were completed in bars 37-45, adding 18 fours under c notes.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE

b. 50

composition: Op. 10 No 9, Etude in F minor

Fingering in FE (→GE)

EE
..

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE

b. 50

composition: Op. 10 No 9, Etude in F minor

..

In A (→FE→EE3) there is no  before the 9th semiquaver of the bar (g1). This patent inaccuracy was corrected in GE and EE4.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions

b. 51-53

composition: Op. 10 No 9, Etude in F minor

No fingering in AI & A

Fingering in FE (→GE)

EE
..

Chopin added the fingering while proofreading FE (→GE). In EE Fontana completed it in bars 51 and 53. The digit added at the end of bar 51 does not stem from Chopin's indications.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE