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Op. 10 No 9, Etude in F minor

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Pedalling

b. 64-65

composition: Op. 10 No 9, Etude in F minor

Pedal in A

FE (→GE)

EE
..

In A Chopin marked only the pedal sustention of the F bass note as the sound base of three last chords. He then improved this pedalling, while proofreading FE (→GE). The reviser of EE in a sense returned to Chopin's original idea by adding a change of pedal at the beginning of bar 65. See also bar 67.

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions , Authentic corrections of FE

b. 67

composition: Op. 10 No 9, Etude in F minor

No sign in AI & A (→FE)

 in GE & EE
..

Omission of the  mark at the end of the pieces is characteristic for Chopin's pedalling and is featured in numerous works, e.g., in the Etudes in C major, No. 1, C minor, No. 4, C major, No. 7, F major, No. 8, E major, No. 11. The revisers of GE and EE considered it as an inaccuracy of notation of FE.

category imprint: Differences between sources

issues: EE revisions , GE revisions , No pedal release mark