Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 10 No 9, Etude in F minor
The notation of AI, in which the groups filling the 1st half of these bars are written as quavers, gives rise to doubts concerning the interpretation of the possible original version of the 2nd half of bar 63. In Chopin's intention, the deleted a
1-a2 quaver could have been a semiquaver, as it has the same value as the previous octaves. Overall, it offers three possibilities of interpretation of the original version of this bar:
category imprint: Differences between sources
issues: Rhythmic errors
notation: Rhythm
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