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Source: 
p. 5, b. 83-111
p. 1, b. 1-30
p. 2, b. 31-52
p. 3, b. 53-67
p. 4, b. 68-82
p. 5, b. 83-111
p. 6, b. 112-140
p. 7, b. 141-155
p. 8, b. 156-171
p. 9, b. 172-186
p. 10, b. 187-204
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A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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  b. 92

In A (→GC,EE) the middle note a1 on the 2nd beat of the R.H. is assigned to the middle voice. Recognising such division into voices, the revisers of FE and GE shortened the value of this note by deleting the extending dot. No repetition of a1 on the last quaver (cf. bar 94) indicates rather the necessity to sustain this note to the end of the bar, in accordance with the notation of A. Therefore, in the main text we correct the illogical in this situation division into voices, following similar bars 38 and 40. At the time of writing this chord, Chopin could have thought about bar 94, which could have caused the mistake.

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions, FE revisions, Inaccuracies in A

notation: Rhythm

Missing markers on sources: A, GC, FE1, FE2, FE3, FEJ, FED, FES, EE1, GE1, GE2, GE3