mUltimate Chopin

Op. 38, Ballade in F major

Text Compare Notes Sources Description
Page: 
Source: 
p. 4, b. 68-82
p. 1, b. 1-30
p. 2, b. 31-52
p. 3, b. 53-67
p. 4, b. 68-82
p. 5, b. 83-111
p. 6, b. 112-140
p. 7, b. 141-155
p. 8, b. 156-171
p. 9, b. 172-186
p. 10, b. 187-204
Main text
Main text
A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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No differences
A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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  b. 72-78

f in A (→FE,GC→GE)

f in EE

In A (→FE,GC→GE1) there is not any  lowering e to e. In EE the signs were added, yet at the same time the flats lowering f to f on the last semiquaver were omitted (except for bar 75, in which both last semiquavers are provided with flats). The reviser of EE might have concluded that Chopin wrote the flats in A one note too far by mistake (they may have regarded the E-F passage occuring in the first half of each bar as a confirmation that they were right). The flats lowering e to e were also added in GE2 (→GE3).

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, Omission of current key accidentals, Inaccuracies in A

notation: Pitch

Missing markers on sources: A, GC, FE1, FE2, FE3, FEJ, FED, FES, EE1, GE1, GE2, GE3
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