Page: 
Source: 
p. 10, b. 187-204
p. 1, b. 1-30
p. 2, b. 31-52
p. 3, b. 53-67
p. 4, b. 68-82
p. 5, b. 83-111
p. 6, b. 112-140
p. 7, b. 141-155
p. 8, b. 156-171
p. 9, b. 172-186
p. 10, b. 187-204
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A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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  b. 196

bb2 & b3 in A (→GCGE, →FE1FE2)

bb2 & b3 in FE3 & EE

bb2 & b3 in our suggestion

In front of the bb2 and b3 notes in the 2nd half of the bar there are no accidentals in A (→GCGE, →FE1FE2), therefore the flats from the 1st half of the bar are valid. Moreover, the deletion of the sign in front of the bottom note of the chord in the L.H. visible in A and GC (in GC one can see that it was a ) proves that Chopin checked the correctness of notation in both manuscripts. The revisers of EE, FE3 added a  in front of these notes (bb2 and b3). In the main text, in order to avoid doubts, we add cautionary flats in front of b and b2.

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category imprint: Differences between sources; Editorial revisions; Corrections & alterations

issues: EE revisions, Deletions in A, FE revisions, Authentic corrections in GC

notation: Pitch

Missing markers on sources: GC, FE1, FE2, FE3, FEJ, FED, FES, EE1, GE1, GE2, GE3