mUltimate Chopin

Op. 38, Ballade in F major

Text Compare Notes Sources Description
Page: 
Source: 
p. 3, b. 53-67
p. 1, b. 1-30
p. 2, b. 31-52
p. 3, b. 53-67
p. 4, b. 68-82
p. 5, b. 83-111
p. 6, b. 112-140
p. 7, b. 141-155
p. 8, b. 156-171
p. 9, b. 172-186
p. 10, b. 187-204
Main text
Main text
A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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Graphic ambiguousness
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Articulation, Accents, Hairpins
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No differences
A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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  b. 56

FE1 overlooks the  raising f to f at the beginning of the bar. In FE this note is placed on the lower staff, hence the error also affects the 4th L.H. semiquaver. This layout was applied in other sources as well, except for GE2 (→GE3) which placed the R.H. part on the upper staff throughout, as in our transcriptions. This resulted in  before the 4th semiquaver being necessary only in the impressions of the 2nd German edition.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE, Authentic corrections of FE

notation: Pitch

Missing markers on sources: A, GC, FE1, FE2, FE3, FEJ, FED, FES, EE1, GE1, GE2, GE3
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