mUltimate Chopin

Op. 38, Ballade in F major

Text Compare Notes Sources Description
Page: 
Source: 
p. 5, b. 83-111
p. 1, b. 1-30
p. 2, b. 31-52
p. 3, b. 53-67
p. 4, b. 68-82
p. 5, b. 83-111
p. 6, b. 112-140
p. 7, b. 141-155
p. 8, b. 156-171
p. 9, b. 172-186
p. 10, b. 187-204
Main text
Main text
A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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Graphic ambiguousness
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Pedalling
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Differences
No differences
A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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  b. 106

g1 tied in A (→EE)

g1 repeated in GC (→GE) (possible interpretation of A)

Three g1 in FE1

f1 in FE2 (→FE3)

In the main text we give the version of FE2 (→FE3), corrected by Chopin. However, it is not clear whether the composer's resignation from the version of A was final at the time of performing this correction, as the proofreading concerned a slightly different, undoubtedly erroneous version of FE1. The interpretation of A is also uncertain – the tie sustaining g1, repeated in EE, is perhaps deleted, as it was probably understood in FE1 and GC (→GE). Both interpretations of A may be considered as variants. 

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations

issues: Deletions in A, Authentic corrections of FE

notation: Pitch

Missing markers on sources: A, GC, FE1, FE2, FE3, FEJ, FED, FES, EE1, GE1, GE2, GE3
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