mUltimate Chopin

Op. 38, Ballade in F major

Text Compare Notes Sources Description
Page: 
Source: 
p. 5, b. 83-111
p. 1, b. 1-30
p. 2, b. 31-52
p. 3, b. 53-67
p. 4, b. 68-82
p. 5, b. 83-111
p. 6, b. 112-140
p. 7, b. 141-155
p. 8, b. 156-171
p. 9, b. 172-186
p. 10, b. 187-204
Main text
Main text
A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
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Differences
No differences
A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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  b. 98-99

g1 repeated in A (→FE,EE)

g1 tied in GC (→GE)

The tie to g1 in GC is thicker and more rounded than ties written by the copyist, at the same time it resembles closely the usual shape of Chopin's ties.. Therefore, it is very likely that Chopin added it in GC (→GE).

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections in GC

notation: Rhythm

Missing markers on sources: A, GC, FE1, FE2, FE3, FEJ, FED, FES, EE1, GE1, GE2, GE3
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