mUltimate Chopin

Op. 38, Ballade in F major

Text Compare Notes Sources Description
Page: 
Source: 
p. 3, b. 53-67
p. 1, b. 1-30
p. 2, b. 31-52
p. 3, b. 53-67
p. 4, b. 68-82
p. 5, b. 83-111
p. 6, b. 112-140
p. 7, b. 141-155
p. 8, b. 156-171
p. 9, b. 172-186
p. 10, b. 187-204
FE1 - First French edition
Main text
A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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Graphic ambiguousness
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Pitch
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Articulation, Accents, Hairpins
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No differences
A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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copy link PDF FE1 - First French edition

  b. 66

 in A (→GC)

in FE

in EE & GE

In EE and GE the  ends with the 2nd beat of bar 66. Perhaps the editors' revision was caused by the will to obtain an analogy with bar 64, in which cresc. actually embraces only the 2nd half of the bar.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in GE, Inaccuracies in FE, Scope of dynamic hairpins

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, GC, FE1, FE2, FE3, FEJ, FED, FES, EE1, GE1, GE2, GE3
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