Page: 
Source: 
p. 2, b. 31-52
p. 1, b. 1-30
p. 2, b. 31-52
p. 3, b. 53-67
p. 4, b. 68-82
p. 5, b. 83-111
p. 6, b. 112-140
p. 7, b. 141-155
p. 8, b. 156-171
p. 9, b. 172-186
p. 10, b. 187-204
EE - English edition
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A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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copy link PDF EE - English edition


  b. 39

 in A (→FE,GCGE)

Interpretation of A suggested by the editors

No sign in EE

It seems that Chopin changed the concept of dynamic markings in this and the next phrase – in A one can see in this bar a pair of   signs, out of which the first was then deleted. While writing analogous bar 40, the composer put there only the sign of a long accent over the chord in the middle of the bar. According to us, it means that the slightly longer sign in bar 38 should be interpreted in this way.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Long accents, Errors in EE, Corrections in A, Deletions in A

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, GC, FE1, FE2, FE3, FEJ, FED, FES, EE1, GE1, GE2, GE3