Issues : GE revisions
b. 18
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composition: Op. 38, Ballade in F major
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The shifted beginning of a sign resulted most likely from a routine revision of GE, aligning the signs with rhythmical structures like beams or bars. category imprint: Differences between sources issues: GE revisions |
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b. 20
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composition: Op. 38, Ballade in F major category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 21
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composition: Op. 38, Ballade in F major
category imprint: Differences between sources issues: GE revisions , EE inaccuracies |
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b. 28
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composition: Op. 38, Ballade in F major
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GC overlooked the b1 quaver in the lower part of the R.H. GE amended this version by adding an extending dot next to the b1 crotchet. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of GC |
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b. 33
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composition: Op. 38, Ballade in F major
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In A (→GC), probably as a result of an oversight, the g1 crotchet was written without the extending dot. The dot was undoubtedly rightly – cf. bar 17 – added in FE and EE, while the one-part notation used in GE erroneously included the final e1 to the melody of the top voice. category imprint: Differences between sources issues: EE revisions , GE revisions , FE revisions , Inaccuracies in A |