Issues : Inaccuracies in FE
b. 65-67
|
composition: Op. 38, Ballade in F major
..
In A the pedal release in bars 63-68 is differentiated: in bars 63, 64 the falls on the 2nd beat, bars 65-68 the follows only after the 5th semiquaver from the end. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE , EE inaccuracies , Inaccuracies in GC |
|||||||||||
b. 66
|
composition: Op. 38, Ballade in F major
..
In EE and GE the ends with the 2nd beat of bar 66. Perhaps the editors' revision was caused by the will to obtain an analogy with bar 64, in which cresc. actually embraces only the 2nd half of the bar. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins |
|||||||||||
b. 66
|
composition: Op. 38, Ballade in F major
..
In FE1 (→FE2) the before the 2nd chord is placed too low, before f1. The inaccuracy was corrected in FE3. category imprint: Interpretations within context issues: Inaccuracies in FE , Terzverschreibung error |
|||||||||||
b. 67
|
composition: Op. 38, Ballade in F major
..
Similarly to bars 65-66, the differences in placing the sign result from inaccurate reproducing of the Stichvorlage, in this bar by the engravers of FE and GE. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE |
|||||||||||
b. 71-72
|
composition: Op. 38, Ballade in F major
..
Both signs are written in A on the saff, what further hindered the legibility of the faint hairpins. As a result GC (→GE), FE overlooked them, and EE imprecisely reproduced the first sign only. category imprint: Differences between sources; Source & stylistic information issues: EE revisions , Inaccuracies in FE , Unclear hairpins in A , Inaccuracies in GC |