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Issues : Inaccuracies in GC
b. 20-22
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composition: Op. 38, Ballade in F major
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In all sources except for A, the slurs of the L.H. are not separated in these bars. Presumably, both the copyist and the engravers considered the gaps to be an inaccuracy of the slurs' links in A, especially that the slurs of the R.H. were actually extended in these places. category imprint: Differences between sources issues: Inaccuracies in FE , EE inaccuracies , Inaccuracies in GC |
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b. 21
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composition: Op. 38, Ballade in F major
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The middle component of the last chord in the R.H. was certainly corrected in GC from f1 to g1. It is hard to state clearly whether it is Gutmann's own correction or whether it was Chopin that noticed and corrected the wrong pitch while reviewing GC. Cf. the annotation in bar 13. category imprint: Graphic ambiguousness; Corrections & alterations; Source & stylistic information issues: Inaccuracies in GC , Alterations in GC |
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b. 26
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composition: Op. 38, Ballade in F major
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Both the earlier start of the category imprint: Differences between sources issues: EE inaccuracies , Inaccuracies in GC |
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b. 33-34
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composition: Op. 38, Ballade in F major
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The sources differ in the range of the category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in GC |
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b. 38-41
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composition: Op. 38, Ballade in F major
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Only EE recreated the notation of the slurs of A correctly. The version of FE, despite shortening the slurs, does not change the general idea of Chopin's phrasing. However, both the inaccurate slurs of GC and their arbitrary interpretation in GE distort the phrasing determined by Chopin. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Inaccuracies in GC |