Page: 
Source: 
p. 9, b. 261-289
p. 1, b. 1-28
p. 2, b. 29-56
p. 3, b. 57-88
p. 4, b. 89-123
p. 5, b. 124-164
p. 6, b. 165-200
p. 7, b. 201-234
p. 8, b. 235-260
p. 9, b. 261-289
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Main text
FE - French edition
FE0 -
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
GE - German edition
FEG - Chopin's Stichvorlage for GE
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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FE - French edition
FE0 -
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
GE - German edition
FEG - Chopin's Stichvorlage for GE
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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  b. 261

 

 

 

The staccato dot written by Chopin in FEG may be ambiguous: it is not known whether it concerns the octave in the R.H. in bar 261 or the octave in the L.H. in the great stave right above it, in bar 256. It may be the reason explaining why the sign was not included in GE1 (→GE2GE3). The sign included in EE is also not entirely clear – in spite of the fact that it resembles a wedge, it has a dot in its structure. Therefore, it is hard to conclude what was written in Chopin base text to EE; hence to the main text we adopt a staccato dot, written by Chopin's hand in FEG.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Authentic corrections of GE, Wedges, Authentic corrections of EE

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE0, FE1, FED, FEJ, GE1, GE2