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p. 7, b. 201-234
p. 1, b. 1-28
p. 2, b. 29-56
p. 3, b. 57-88
p. 4, b. 89-123
p. 5, b. 124-164
p. 6, b. 165-200
p. 7, b. 201-234
p. 8, b. 235-260
p. 9, b. 261-289
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FE - French edition
FE0 -
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
GE - German edition
FEG - Chopin's Stichvorlage for GE
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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FE - French edition
FE0 -
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
GE - German edition
FEG - Chopin's Stichvorlage for GE
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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  b. 217

In the entire bar FE0 (→FE,FEG) has only two cautionary accidentals: a  lowering g2 to g2 on the 3rd quaver and a  raising a1 to a1 in the L.H. Out of three undoubtedly overlooked signs in the R.H., it is the lack of the  raising a1 to a1 at the beginning of the bar that is most striking; the accidental was added in pencil in FED, it was also added in GE and EE. In both editions a  was added also before the last quaver, yet the fully correct notation is only in GE.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies, EE revisions, Errors in FE, Annotations in FED, Accidentals in different octaves, GE revisions, Omission of current key accidentals

notation: Pitch

Missing markers on sources: FE0, FE1, FEJ, GE1, GE2