Page: 
Source: 
p. 8, b. 266-289
p. 1, b. 1-44
p. 2, b. 45-88
p. 3, b. 89-133
p. 4, b. 134-180
p. 5, b. 181-210
p. 6, b. 211-240
p. 7, b. 241-265
p. 8, b. 266-289
FE0 -
Main text
FE - French edition
FE0 -
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
GE - German edition
FEG - Chopin's Stichvorlage for GE
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FE - French edition
FE0 -
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
GE - German edition
FEG - Chopin's Stichvorlage for GE
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
Importance
All
Important
Main
Prezentacja
Select 


  b. 277-280

No marks in FE

Long accents in FEG (contextual interpretation)

Long accents in GE

Short accents in EE

The accents written by Chopin in FEG raise doubts as to the type of the used accent and placement with respect to the bottom and upper stave. In the main text we present the most plausible interpretation of the signs written by Chopin in FEG, according to us.

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category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents, Authentic corrections of GE, Authentic corrections of EE

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE0, FE1, FED, FEJ, GE1, GE2