mUltimate Chopin

Op. 42, Waltz in A♭ major

Text Compare Notes Sources Description

Issues : Scope of dynamic hairpins

Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 227-228

composition: Op. 42, Waltz in A♭ major

 
 
 
 
 
 
..

The  hairpins were added by Chopin in the base texts to GE and FE. It seems that the hairpins are also absent in FE0, which could confirm their absence in EE (although we cannot exclude the engraver's error). In FEG the beginning of the hairpins was either extended by Chopin or it could overlap a possible sign of the accent - the interpretation is impeded by the poor photocopy of the source. In GE2 (→GE3) there is a short accent, yet it certainly results from the fact of homogenising it with the previous bars. Not being certain of the markings of FEG, in the main text we adopt the sign of GE2 (→GE3), which was led to the end of bar 228.

category imprint: Differences between sources

issues: Scope of dynamic hairpins