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Issues : Authentic corrections of EE
b. 96
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composition: Op. 42, Waltz in A♭ major
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The accent mark was probably added by Chopin in the base text to EE. category imprint: Differences between sources issues: Authentic corrections of EE |
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b. 97
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composition: Op. 42, Waltz in A♭ major
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The crescendo indication was probably added by Chopin in the base text to EE. The indication's division into syllables may have been performed by the reviser. category imprint: Differences between sources issues: Authentic corrections of EE |
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b. 113
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composition: Op. 42, Waltz in A♭ major
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The d category imprint: Differences between sources issues: Accompaniment changes , Authentic corrections of GE , Authentic corrections of EE |
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b. 136-140
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composition: Op. 42, Waltz in A♭ major
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In FE0 the slur ends on the minim. In the base text to FE1 it was corrected by extending the slur to bar 139 (there is a visible trace of deleting the original slur of FE0). There is no reason to doubt the authenticity of this change, yet in FEG Chopin completed the slurring differently, by adding the second slur in bars 136-140. The latter is also in EE, most probably based on the identical Chopin correction of the base text. Therefore, in the main text we give the version with two slurs, written by Chopin twice. The continuous slur of FE, offering greater flexibility as to the choice of phrasing, may be, however, treated equally. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |
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b. 139-140
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composition: Op. 42, Waltz in A♭ major
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The version of FE without the hold of the e category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of GE , Authentic corrections of EE |