Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 42, Waltz in A♭ major
Taking into account Chopin correction of e
to E in analogous bar 31, the fact of leaving e unchanged in bar 203 may be considered as Chopin's oversight of the correction. On the other hand, E in bar 31 is somehow confirmed with the next E in bar 39. Therefore, a different shaping of the ending of the theme in bars 210-212 and, as a result, lack of such repetition of this note in bar 211, may be considered as an argument justifying the fact of leaving e in this place.
category imprint: Interpretations within context; Editorial revisions
issues: Omitted correction of an analogous place
notation: Pitch
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