Issues : Chopin's hesitations

b. 6

composition: Op. 10 No 3, Etude in E major

Versions in AI

Version in A (→FEGE,EE)

..

At the time of writing AI, Chopin was still looking for the best melodic continuation for the first, five-bar-long phrase. In the 1st half of the bar, after numerous deletions, he wrote two versions, out of which it was eventually the second one that was adopted, marked in this manuscript as ossia. The only version of the 2nd half of the bar was then changed in A.

category imprint: Differences between sources; Corrections & alterations

issues: Chopin's hesitations

b. 60

composition: Op. 10 No 3, Etude in E major

in A

in FE (→GE,EE)

..

In bar 60 in A there are visible traces of corrections of the written in this place indication. According to us, Chopin initially wrote smorz. and then transformed it to calando, which seems to be more accurate in this context. Eventually, FE (→GE,EE) has, however, a smorzando, which means that while proofreading FE, Chopin most probably returned to the original concept (however, it is possible that the engraver of FE deciphered the unclear inscription in a different manner than us).

In the entire fragment presented on this page (bars 58-77), AI has significantly less performance indications. Wherever the omission of some of the indications undoubtedly results from the working notation of this autograph, their absence is not considered as an equal version of the discussed place. In practice, it means that if the content of the note does not mention AI, the discussed indication is absent in this autograph.

category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations

issues: Chopin's hesitations , Authentic corrections of FE

b. 67

composition: Op. 10 No 3, Etude in E major

Semiquavers in AI & FE (→GE,EE2)

Crotchet in A

Semiquavers with slur in EE3 (→EE4)

..

The version of A seems to be only a temporary deviation from the original concept, as at the time of proofreading FE (→GE,EE), Chopin returned the semiquaver figure, used before in AI (as repetition of the motif from bar 14). We add a slur over the semiquavers, by analogy with the slur added by Chopin in a proofreading of FE (→GE,EE) in bar 14, as well as with the slurs in analogous bars 15 (proofreading of FE) and 68 (A). This addition was already introduced in EE3 (→EE4).

category imprint: Differences between sources; Corrections & alterations

issues: Chopin's hesitations , Authentic corrections of FE