Issues : EE revisions

b. 1

composition: Op. 10 No 3, Etude in E major

GE1a (→GE2GE3GE4GE5)

EE2 (→EE3)

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In the main text we give the title and dedication in the undoubtedly authentic version adopted in FE. The extensions of both the title (in GE and EE) and dedication (in EE) most probably come from the editors. See the Etude in C major, No. 1, bar 1.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , Dedications , GE revisions

b. 1-5

composition: Op. 10 No 3, Etude in E major

No fingering in AI, A & FE (→GE)

Fingering in EE

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The detailed fingering of the first phrase in EE is an addition by Fontana.

category imprint: Differences between sources

issues: EE revisions

b. 6

composition: Op. 10 No 3, Etude in E major

No fingering in AI, A & FE (→GE)

Fingering written into FED

Fingering in EE

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In the main text we include the fingering written by Chopin in FED. The abundant fingering of Fontana in EE includes, among others, an identical indication of double use of the 4th finger.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FED

b. 7-8

composition: Op. 10 No 3, Etude in E major

No fingering in AI, A & FE (→GE)

Fingering in EE

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The fingering of EE, including each note in the R.H., comes from Fontana.

category imprint: Differences between sources

issues: EE revisions

b. 7

composition: Op. 10 No 3, Etude in E major

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Both in GE and EE the indication stretto was moved to the beginning of the 2nd half of the bar.

category imprint: Differences between sources

issues: EE revisions , GE revisions