Issues : Errors in GE

b. 27

composition: Op. 10 No 3, Etude in E major

g in AI, A (→FEEE,GE1GE1aGE2) & GE5

in GE3 (→GE4)

..

The characteristic error of GE3 (→GE4) was corrected only in GE5 (at the same time, committing a rhythmic error). 

category imprint: Differences between sources

issues: Errors in GE , Terzverschreibung error

b. 27

composition: Op. 10 No 3, Etude in E major

..

In GE5 the last note is an erroneous quaver.

category imprint: Differences between sources

issues: Errors in GE , Rhythmic errors

b. 30-31

composition: Op. 10 No 3, Etude in E major

Accents in A, contextual interpretation

Accents (diminuendos?) in FE

Long accents in GE1 (→GE1aGE2)

Diminuendos (accents?) in EE

Short accents in GE3 (→GE4)

L.H. accents in GE5

..

In the main text we give the undoubtedly only authentic version of the accents on the d1-f1 and d1-f1 thirds in bars 30 and 31 respectively. The remaining versions are almost certainly a result of revisions or misinterpretation of the base texts by the engravers. Lack of signs in bar 31 in GE may prove that they were added in the last proofreading of FE. The last accent in A is clearly shorter, which, according to us, is an inaccuracy of Chopin's notation.

category imprint: Differences between sources

issues: Inaccuracies in FE , Errors in GE , GE revisions , EE inaccuracies

b. 36-37

composition: Op. 10 No 3, Etude in E major

..

In GE5 two out of six slurs embracing pairs of semiquavers in the L.H. were overlooked – the fourth and sixth.

category imprint: Differences between sources

issues: Errors in GE

b. 40

composition: Op. 10 No 3, Etude in E major

..

In GE3 (→GE4GE5) the fingering of last two semiquavers was misreproduced – 41 for the penultimate and a single 2 under the last one.

category imprint: Differences between sources

issues: Errors in GE