mUltimate Chopin

Op. 10 No 7, Etude in C major

Text Compare Notes Sources Description
Page: 
Source: 
p. 4, b. 44-59
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-43
p. 4, b. 44-59
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Important
Main
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Prezentacja
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  b. 47

No accent in A (→FE→GE1)

Accent in EE & GE2 (→GE3→GE4)

In the main text we do not include the accent, added in EE and GE2 (→GE3→GE4) by analogy to bar 45 (together with the slurs). The accentuation of these bars can be different, as they also differ in dynamic indications – in bar 47 there is no  mark, added during a proofreading of FE in bar 45.

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, GE1, GE2, GE3, GE4, EE3, EE4
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