Page: 
Source: 
p. 2, b. 15-28
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-43
p. 4, b. 44-59
A - Autograph
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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copy link PDF A - Autograph


  b. 19

No mark in A (→FE)

Wedge in GE1

Dot in GE2 (→GE3GE4) & EE

Lack of the staccato mark in the middle of bar 19 in A (→FE) should rather be considered to be an inaccuracy. On the other hand, it is not certain which of the signs that appear in this fragment – dot or wedge – would have been used by Chopin if he had noticed this deficiency. In the main text we give preference to the wedge, as Chopin added this sign, while proofreading similar bar 17 in FE. The signs were added by the revisers of GE and EE – wedge in GE1, dot in EE and subsequent GE,s.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, GE1, GE2, GE3, GE4, EE3, EE4