mUltimate Chopin

Op. 10 No 7, Etude in C major

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Page: 
Source: 
p. 1, b. 1-14
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-43
p. 4, b. 44-59
FE1 - First French edition
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
Interpretations within context
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
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Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Main
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copy link PDF FE1 - First French edition

  b. 13

Short accent in A (→FE→GE,EE)

Long accent suggested by the editors

The accent in A (and the editions) does not differ significantly from the accent in the next bar. Taking into consideration the clearly less precise notation of this bar in A (graphic layout, missing flats, lack of the dot extending the minim), in the main text we suggest a long accent after analogous bars 5 and 9.

Compare the passage in the sources»

category imprint: Interpretations within context

issues: Long accents

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, GE1, GE2, GE3, GE4, EE3, EE4
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