Issues : Corrections in A
b. 1-5
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composition: Op. 10 No 7, Etude in C major
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In A one can see that the penultimate semiquaver in bars 1 and 5 was initially d1-f1. category imprint: Corrections & alterations issues: Corrections in A |
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b. 2-3
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composition: Op. 10 No 7, Etude in C major
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Initially, the slur of A in bar 2 ended on the last note in this bar (same as in bar 1). Chopin, while adding the slur in bar 3, ensured that it is added to the previous one, which can be considered as a template for all similar situations. category imprint: Corrections & alterations issues: Corrections in A |
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b. 3
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composition: Op. 10 No 7, Etude in C major
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The f1-g1 second in A is most probably the original version of the 3rd semiquaver. In analogous bar 36 Chopin changed it to an f1-b1 fourth already in A. The traces of corrections are also visible in bar 3, yet the f1-a1 third was removed, probably written by mistake. In bar 11, in which the 1st phrase appears one octave higher, the f2-b2 fourth is immediately written in A. category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Authentic corrections of FE |
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b. 36
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composition: Op. 10 No 7, Etude in C major category imprint: Corrections & alterations issues: Corrections in A |
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b. 36
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composition: Op. 10 No 7, Etude in C major
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In A there are visible traces of adjustments of the 2nd and 3rd quavers. The removed version could have been the following: . category imprint: Corrections & alterations issues: Corrections in A |