Issues : Inaccuracies in FE
b. 4-12
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composition: Op. 10 No 7, Etude in C major
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In bars 4 and 12 additional crotchet stems were omitted in the editions, perhaps due to a misunderstanding of A by the engraver of FE. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 16-17
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composition: Op. 10 No 7, Etude in C major
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It is unclear whether Chopin wanted the first quavers in this bar to be provided with wedges, as it is in A, or dots, which were printed in FE (→GE,EE). Taking into account numerous inaccuracies in reproducing Chopin's wedges, in the main text we give preference to the notation of A. category imprint: Differences between sources issues: Inaccuracies in FE , Wedges |
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b. 18-20
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composition: Op. 10 No 7, Etude in C major
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The type of accents in bars 18 and 20 (short or long) is not clear in FE – in GE they were reproduced as short, while in EE as long. We adopt that, same as in A, they are long accents. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE |
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b. 20
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composition: Op. 10 No 7, Etude in C major
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It is hard to determine whether omitting the mark in the editions is a result of Chopin's proofreading or the engraver's inaccuracy. In the main text we suggest a variant solution. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 22
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composition: Op. 10 No 7, Etude in C major
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In A the slur reaches only until a in the 2nd half of the bar. In turn, in FE (→EE) it goes beyond the last note, as if it were to be continued in the next bar. According to us, both versions of the notation are inaccurate. category imprint: Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A , GE revisions |